A Florida police station in the middle of the night. Two parents searching for answers. AMERICAN SON is a gripping tale about who we are as a nation, and how we deal with family relationships, love, loss, and identity.
The play, directed by Kenny Leon, makes no attempt to hide its agenda. As the plot unfurls and details slowly emerge about a traffic stop (Jamal's driving a silver Lexus, an 18th birthday present from his parents), there are few surprises. Demos-Brown, a Florida trial attorney, writes what he knows but breaks no new ground and offers no solutions. This probably wouldn't have made it to Broadway without the imprimatur of Washington, who has expressed in interviews that she hopes the play will force people to listen to each other in ways the characters do not.
So you have to get past all that schematic writing to get to the deeper point, which is that racism poisons everything: marriages, justice, economic progress, decent black police officers, even hope for the American future. The two ex-spouses fight as proxies for their identities: Scott argues Kendra has encouraged the kid to be 'too black'; Kendra says the kid was mad at having been abandoned by his rich, white dad. The African-American cop is caught in the middle. The piece wrestles with crucial issues, and it's performed with enough intensity by Pasquale and Washington under Kenny Leon's theme-based direction that they effectively collide with your own prejudices, whoever you might be. You feel everything the characters feel, and, given the crisis we're all in, that has worth.
2018 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2019 | Drama League Awards | Distinguished Performance Award | Kerry Washington |
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