Companion book to Anya Turner & Robert Grusecki's tenth studio recording released in September 2024. Ten new songs inspired by their own life experience and the artistry of poet Emily Dickinson, novelist Virginia Woolf, essayist Joan Didion, Impressionist painter Mary Cassatt, New Zealand-born street artist Deborah Wood, Harlem blues singer Gladys Bentley, transgender jazz pianist Billy Tipton, and British jazz singer/pianist Liane Carroll.
The childhood story of Wicked's Elphaba, including her promiscuous mother, her pious father, her saintly sister Nessarose, and her junior felon brother Shell. Deluxe collector’s hardcover features stenciled edges and a color illustrated map of Oz. 288 pages.
Twenty crime stories, one inspired by a song from each of the twenty musicals with scores by Stephen Sondheim (including the made-for-TV Evening Primrose and the final show, Here We Are). Contributing authors include both widely published crime writers and people who are involved in the world of the theatre.
Conducting more than a hundred interviews, Fassler has drawn from a wide range of the New York theatre community gathering dozens of stories that border on the heroic. How is a suitable replacement chosen to take over on Broadway? What goes into an actor making a role their own in the shadow of another's highly lauded performance? What happens when someone hops on the moving train that is a multi-million dollar production and replaces a flailing actor during an out of town tryout? 462 pages.
Written by one of the most exciting new voices in theater, this epic new musical takes an unflinching look at the unsung trailblazers of the American women’s suffrage movement. In the seven years leading up to the passage of the 19th Amendment in 1920, an impassioned group of suffragists—“Suffs” as they called themselves—took to the streets, pioneering protest tactics that transformed the country. They risked their lives as they clashed with the president, the public, and each other. A thrillin...
To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force...
Day-to-day calendar (one that can be used again and again, in any year). 366 bite-size entries, with anecdotes, observations, fun facts, and other confections tied to a single song, perfect for starting each day. Tied to a show's opening date, holidays, historic dates, lyrics, or connections more surprising. 400 pages.
2nd edition of 2011 book by William Everett. More than 1,400 annotated entries; includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. This second edition reflects the notable increase in musical theater scholarship since 2000. Also includes mul...
Eric Idle shares original journal entries and raw email exchanges that reveal the sometimes bumpy, always entertaining path to the musical Spamalot's run. 208 pages.
Explores, through a series of conversations with many of the leading talents working on British stages, what it takes to succeed in the field, and how each director approaches the work in their own way. Contributions from Natalie Abrahami, Annabel Arden, Milli Bhatia, Carrie Cracknell, Tinuke Craig, Marianne Elliott, Nadia Fall, Yaël Farber, Vicky Featherstone, Jamie Fletcher, Sarah Frankcom, Emma Frankland, Rebecca Frecknall, Debbie Hannan, Tamara Harvey, Natalie Ibu, Ola Ince, Lynette Linton,...
About the musical film Love Me Tonight (1932), with individual chapters devoted to the work's genesis and development of the screenplay, the songs and instrumental music, the role censorship has played in the history of the film, and the film's reception from its time to the modern day. Informed by extensive archival holdings in several major library collections, as well as from the indispensable resources housed at the Paramount Studio archives. 208 pages.
A wonderfully fun and unique reimagining of The Phantom of the Opera as a teen rom-com set in high school! Erika knows that people find her weird and off-putting. Instead of making friends, she finds solace in talking to herself and obsessing over handsome actors and pop stars. When she starts attending a new school, her loneliness takes on a life of its own and she develops a new obsession: the cutest boy in her theater class, Christian. For some reason, Christian is kind to her and even agree...
By Lee Wilson, who shares stories from her four decades of dancing on Broadway, with anecdotes about theatre legends including Agnes de Mille, Richard Rodgers, Michael Bennett, Donna McKechnie, and Bernadette Peters. She details the economic, political, and social events that led from the Golden Age to the slump of the early 1970s to the rejuvenation of Broadway with the huge success of A Chorus Line. 241 pages.
From spiritual practitioner, tarot card reader, and former Broadway publicist Emily McGill. Deluxe, one-of-a kind deck that "casts" Broadway icons in traditional tarot roles, complete with the art of Al Hirschfeld. 78 cards (3 X 5 inches), guidebook (4 3/4 X 6 inches, 120 pages), inner card box, and magnetic closure keepsake outer box. Fully illustrated guidebook which includes images of each card, alongside card descriptions and suggested interpretations, as well as sample card spreads to guid...
Platinum award-winning singer, songwriter, and lyricist Mark Winkler provides a handbook on writing great lyrics, chock full of songwriting exercises and engaging personal vignettes. This book crosses a variety of genres andteaches the craft of modern commercial songwriting as practiced by the likes of Taylor Swift, Ed Sheeran, and Bruno Mars.
All 70 tiny plays commissioned by Fishamble for Tiny Plays for Ireland, Tiny Plays 24/7, and Tiny Plays for a Brighter Future performed in Dublin, New York City, and Washington DC. 320 pages.
Based on newly discovered documents in the BBC and New Yorker archives, the book reveals Friel's youthful personality and his struggles to get noticed as a young writer. His correspondence with his first mentors - Belfast BBC radio producer Ronald Mason, New Yorker editor Roger Angell, and theatre director Tyrone Guthrie - shows how he shaped his early work, how he chose to write for the theatre, and how the patterns that became so memorable in his later plays were set in motion by his beginni...
Based on newly discovered documents in the BBC and New Yorker archives, the book reveals Friel's youthful personality and his struggles to get noticed as a young writer. His correspondence with his first mentors - Belfast BBC radio producer Ronald Mason, New Yorker editor Roger Angell, and theatre director Tyrone Guthrie - shows how he shaped his early work, how he chose to write for the theatre, and how the patterns that became so memorable in his later plays were set in motion by his beginnin...
Memoir by Broadway theater manager Dan Landon. Spanning from 1978-2018, the book shares backstage and onstage stories of encounters with theatre luminaries such as Bob Fosse, Ian McKellen, Bernadette Peters, August Wilson, Maggie Smith, Judi Dench, Mikhail Baryshnikov, Madeline Kahn, Stephen Sondheim, Tom Stoppard, David Mamet, and more.
Second memoir by veteran motion picture, television and Broadway producer Julian Schlossberg. Je shares stories from his 60 years in show business including new profiles of working with Peter Falk, Elaine May, Mike Nichols, George C. Scott, John Cassavetes and many others. Released 6/4/24.
By William C. Boles. Routledge Modern and Contemporary Dramatists series editors Maggie Gale and Graham Saunders. Includes Barlett's plays Cock, Doctor Foster, King Charles III, and Albion, a biographical introductory chapter, and new interviews with Bartlett and some of his closest and oft relied upon collaborators. 186 pages.
Takes the reader step-by-step through the process of building your audition repertoire portfolio ... helps to identify what songs are needed in which categories and explains where to find them, how to source and cut the sheet music, and how to communicate effectively with the accompanist and act the song. 184 pages.
By Lawrence Schulman ("Garland: That’s Beyond Entertainment – Reflections on Judy Garland"). Foreword by Tish Oney. Afterword by Manuel Betancourt. Schulman's writings between 2000 and 2024, on a whole host of artists and authors, including Peggy Lee, Frank Sinatra, Mildred Bailey, Patsy Cline, Bernard Herrmann, among others. 540 pages.
. Examines the history and influence of the Group Theatre, which presented the first plays of Clifford Odets, Sidney Kingsley, and William Saroyan, and launched the careers of Franchot Tone, John Garfield, Elia Kazan, Lee J. Cobb, Karl Malden, Martin Ritt, and Luther Adler. 339 pages.
"investigates both the history and current realities of life and work in professional theatrical production in the United States and explores labor practices that are equitable, accessible, and sustainable." 352 pages.
In-depth account of Cleveland's Playhouse Square (originally the State, Ohio, Hanna, Allen, and Palace theaters) history, beginning with the 1921 opening, through the darkening of four of their marquees by the end of the 1960s, the renovation and renaissance from the 1970s, and the effects of the COVID-19 pandemic. Illustrated and featuring interviews with the central figures involved in saving the Square. 240 pages.
Charts the progress of American showtunes alongside popular music forms as songs evolved from the waltz and ragtime to jazz, rock, rap and hip-hop. Factual analysis and historical context combine to offer a rich picture of the American songbook from Irving Berlin to Elton John. 440 pages.
"This is the riveting, brutally honest story of a man’s struggle to make something of himself in the theater. Coming from meager circumstances in the Ozark Mountains, he fights his way up the shaky ladder toward fame. He makes mistakes, goes down blind alleys, fails and succeeds, again and again. But he never quits." 480 pages.
Biography in the form of an oral history about Zelda Fichandler, whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years. Fichandler was Head of New York University’s Graduate Acting Program for 25 years. ...
A portrait of the American musical's artistic evolution over the course of seven distinct, newly defined eras, with a perspective gleaned from research at more than twenty different archives across the United States. 416 pages.
Content from sixty years of essays, speeches, and manifestos by the founding mother of the resident professional theatre movement. Founder and artistic director of Arena Stage in Washington, D.C., and chair of New York University’s Graduate Acting program. Gathers Fichandler’s most prescient writing about that movement, ranging over such topics as The Institution as Art-Work, the Profit in NonProfit, Race and a Deepening Aesthetic, and Creativity and the Public Mind. Also includes intimate port...
Foreword by Sam Mendes. Afterword by Adam Redfield. William Redfield's (Guildenstern) series of letters describing the daily happenings and his impressions of them during the three months of preparation for the 1964 Hamlet, from rehearsals through out-of-town tryouts to the gala opening night on Broadway. New edition brings Redfield's classic back into print, as The Motive and the Cue, the Sam Mendes-directed play about the Gielgud production that is based in part on the book, continues its run...
In CLYDE’S, a truck stop sandwich shop offers its formerly incarcerated kitchen staff a shot at redemption. Even as the shop’s callous owner tries to keep them down, the staff members learn to reclaim their lives, find purpose, and become inspired to dream by their shared quest to create the perfect sandwich.
The author looks back over the last 30 years and writes about how his musical Thrill Me: The Leopold & Loeb Story became a Drama Desk and Outer Critics Circle Award nominee and went on to have over two hundred productions spanning twenty-five countries and seventeen languages. 312 pages.
Details the life and work of Bradford Ropes, author of the bawdy 1932 novel "42nd Street," on which the classic film and its stage adaptation are based. Follows Ropes s successful career as both a performer and the author of the backstage novels "42nd Street," "Stage Mother," and "Go Into Your Dance." Ropes rebelled against the "Proper Bostonian" life, in a career that touched upon the Jazz Age, American vaudeville, and theater censorship. 330 pages.
By Arnold Aronson. Looks at the history of theatrical scenography by examining the work and contributions of fifty set, costume, lighting, and projection designers since the Renaissance ... including opera, dance, Broadway and West End commercial theatre, avant-garde performance, and even Olympic spectacles. Each chapter features one designer, with basic biographical information and a discussion of that artist's style, aesthetics, and contributions. 330 pages.
By Sean Mayes. Unveils the untold stories and perspectives of artists of color shaping the stage today, through interviews drawn from Broadway and regional productions, including André De Shields, Alex Lacamoire, Baayork Lee, and many more. 168 pages.
Tells the story of Theatre-in-Limbo, a downtown band of actors formed in 1984 by director Kenneth Elliott and playwright and drag legend Charles Busch. Elliott narrates the company's Cinderella tale of fun, heartbreak, and dishy drama. 226 pages.
Becky Nurse is an outspoken, sharp-witted tour guide at the Salem Museum of Witchcraft who’s just trying to get by in post-Obama America. She’s also the descendant of Rebecca Nurse, who was infamously executed for witchcraft in 1692—but things have changed for women since then…haven’t they? After losing her job for calling out The Crucible in front of schoolkids, Becky visits a local witch for help. One spell leads to another, and then everything really goes off the rails. A darkly comic play a...
An account of stage musicals' engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States. Shows how theater dramatized serious medical conditions and social problems. Among the many Broadway productions discussed are Next to Normal, A Strange Loop, Sweeney Todd, Man of La Mancha, Dear World, Anyone Can Whistle, Gypsy, Oklahoma!, and Lady in the Dark.
On March 13, 2020, as theaters shut their doors and so many of us went into lockdown, Suzan-Lori Parks picked up her pen and set out to write a play every day. What emerged is a breathtaking chronicle of our collective experience throughout the troubling days and nights that followed.
Plays for the Plague Year is at once a personal story of one family's daily lives, as well as a sweeping account of all we faced as a city, a nation, and a global community. Parks' groundbreaking new work is br...
Guide to fifty popular musicals from the comedy classics of the 1930s and 1940s to the frequently-produced darlings of modern theater. Kindle version to be released 9/15/23. 314 pages.
Brainteasers that require more than an ordinary knowledge of Broadway facts that will send even the most seasoned theater lovers looking for answers. Kindle version to be released 9/15/23. 232 pages.
